Rupert Gregson-Williams is usually a name associated mainly with Adam Sandler comedies and some Dreamworks Animation films. Oh yeah, and he’s the little brother of one of the best composers working today. Fortunately I don’t have to make an effort in writing to state how much of a singular voice he is. His writing thus far in his career hasn’t been anything stellar, it’s true. He has had some good scores but finally we have something that makes us sit up and take notice.
The Prisoner was a miniseries on AMC and Rupert got assigned scoring duties. The score is fantastic. The score is a very subtle one, but it’s one of constantly ascending emotions. Utilizing electronics in a way that his brother does he is able to weave a blanket of intrigue and curiosity. There is also a sense of emptiness and longing within the soundscape of the score. I was surprised at how powerful this quiet and somewhat unthematic score turned out to be. The main reoccurring theme is a seemingly out of place waltz that pops in and out.
If I had to describe this score in one word I would say “delicate”. It’s a delicate weaving of sounds that form an atmospheric blanket. It’s not hard to dub this as Rupert’s most mature and complete work to date.